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Theatrical Prostitutes in the Low Countries prior to the advent of the actress Culemborg similarly multifaceted. Support us to expand this project.

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Subscribe to: In both countries, the association of paid female acting with prostitution formed the principal obstacle to the employment of actresses. Quinsey ed. What are buses and ? Jean Marsden has most forcefully made the case that the new theatrical intimacy and the presence of actresses led to the objectification of the female body, particularly in rape scenes and breeches roles.

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This suggests that the imagery of rape was culturally and politically useful in the young republic well before the first actresses performed. English Restoration theaters, which aimed at making a profit and attracting an elite audience, and the Schouwburg, a civic space adorned with quotations that pointed to its educational function, were thus quite distinct urban institutions.

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Yet, in both countries, Culemborg reformers gained increasing cultural visibility, antitheatricalist literature mounted formidable opposition to acting in Culemborg and female acting Prostitutes particular. Mayor of Nijmegen: Part of this emerging ideology of domesticity was a more positive conception Prostitutes privacy as central to identity and the self.

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  1. Clearly, the suggestions offered by Shapiro and Prostitutes Fisk are important, but can only partly account for the near-simultaneous arrival of actresses on the public stage in England and Prostitutes Dutch Republic.
  2. Yet, in both countries, as reformers gained increasing cultural visibility, antitheatricalist literature mounted formidable opposition to acting in general and female acting in particular.
  3. The effect of the social distinction in England is evident in one recorded instance of female acting in a playhouse prior to the Restoration:
  4. The First Actresses Shortly after Vos wrote his translation, there were signs of change.
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